Download Citation on ResearchGate | The Leschetizky method: a guide to fine and correct piano playing / Malwine Brée | Traducción de: Die grundlange der. This legendary manual in both English and German documents principles and techniques of the legendary piano teacher Theodor Leschetizky, who taught. As a teacher, Leschetizky claimed he had no method, at least not in the rigid technical sense. The method he taught was the study of the score in the minutest .

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Petersburg to teach in the court of the Grand Duchess Yelena Pavlovna. There are principles, you will agree, that are to be uniformly inculcated in every pupil – that is breadth, softness of touch and precision of rhythm.

The groundwork of the Leschetizky method

If you want to develop strength and sensitiveness in the tips of your fingers, use them in everyday life. These are also the qualities which are predominant in the playing of Leschetizky’s pupils. Approved by Leschetizky himself, the clear, easy-to-follow text, profusely illustrated with music examples and photographs of hand positions Leschetizky’s own handscovers every aspect of piano lescherizky Retrieved 31 March He died on 14 November in Dresden. The bystander ought to know by your attitude of your hand what chord you are going to play before you play it, for each chord has its own psysiognomy.

A player with unbalanced rhythm reminds me of an intoxicated man who cannot walk straight. An interesting feature of this book is that Leschetizky let photographs keschetizky his hand be used for the illustrations.

He told Ethel Newcomb: For that reason, there is no record of how he would have approached the problems of teaching basic piano technique.

His composition teacher was Simon Sechteran eminent professor who was the teacher of many other successful musicians. Leschetizky’s Fundamental Principles of Piano Technique. Leschetizky combined the classical training of Czerny and the cantabile style of Chopin with the brilliance of Liszt. Leschetizky himself, at least by the time he became famous, did not teach children, unless their talent bordered on the genius.


Theodor Leschetizky

Leschetizky had a granddaughter, Ilse Leschetizky —who was a distinguished pianist and teacher. Basic Principles in Pianoforte Playing. By the age of eighteen he was a well-known virtuoso in Vienna and beyond. In other projects Wikimedia Commons Wikiquote.

What they all had in common leschetuzky the absence of all inessential movements. Without it, nothing of any permanent value can be obtained, either in art or anything else. Padarewski said; The method of Leschetizky is very simple.

Leschetizky’s teaching methods

Each student’s interpretation of a piece was fashioned to the student’s personality. His three later wives were all students, including Annette Essipov, one of the greatest 19th century women pianists.

He was survived by a son, Robert Dresdenwhose family returned to Bad Ischl oeschetizky his death. Opus numbers were given to 49 works.

From Wikipedia, the free encyclopedia. Joseph Leschetizky, his father, was a gifted pianist and music teacher of Viennese birth. For instance, when you go out for a walk, hold your umbrella with the tips instead of in the palm of the hand. At the invitation of his friend Anton Rubinsteinhe went to St. He worked with assistants who were his students and sometimes his wives he had several pianistic marriagesand they had lot of latitude in how they achieved the results.

To make an effective accelerando, you must glide into rapidity as steadily as a train increases its speed when steaming out of a station. Benno Moisewitsch remarked that Leschetizky never taught two pupils the same piece in the same way, that there was a sense of urgency about his music making; “Whatever he did was intensely felt and shaped to that ideal: Archived from the original on 5 February If you play wrong notes, either you do not know where the note is, or what the note is.

They prepared the young students until they reached sufficiently advanced level to benefit from the Master’s teaching. We can all afford to cultivate that quality Your fingers are like capering horses, spirited and willing, but ignorant of where to go without a guide. A pupil himself of the great Carl Czerny, Leschetizky went on to instruct an entire generation of world-class pianists, including Paderewski, Schnabel, Moiseiwitsch, Brailowsky, and many others.

The book was written before detailed studies have been made of the physiology of piano playing and therefore, it is not surprising that, besides some good points, one finds inconsistencies and physically contradictory remarks.


In he returned to Vienna and began teaching there, creating one of the most eminent private piano schools in the world. Petersburg Conservatory of Music in In one word – it is the method of methods. The brain must guide the fingers, not the fingers the brain”.

If mtehod are going to play a scale, place your hand in readiness on the keyboard in the same position as you would if you were going to write a letter – or to take a pinch of snuff. No one else ever seemed interested to know. While in Russia he married one of his most famous students, Anna Essipovathe second of his four wives, with whom kethod had two children; one of them was his daughter, the well-known singer and teacher, Theresa, the other was his son Robert. Each of the phrases in the dissecting process would be different and separately perfect.

Remaining there from tohe was head of the piano department and one of the founders of the St. Promising pianists flocked to him, coming from all over the world, with a great many from the United States, among them also classical singer Clara Clemensthe daughter of Mark Twain. Leschetizky as I Knew Him. leschegizky

His pupils learn to evoke a fine tone from the instrument and to make music and not noise. The elbows should be held neither too close to the sides nor too far away; moreover, they should be on a level with the keys, or be held but a very little higher.

They generally used flowing movements of the hand with fingers close to the keys, except when special effects were required by the music.

He felt that muscular relaxation in piano playing was like deep breathing to a singer. Without concentration, remember, you can do nothing.