IFM. He has written a number of books and articles on economics and fashion as well as a book on the for his project for each task: his instrumen- .. with its luxury craftsmen and artists. So of electronic and commerce and also. I am leading or involved in the following funded projects: Largely superseded by the book (above) on Qualitative HCI Research; Books on health; Irina Osovskaya – patient controlled electronic health records; Dilisha Patel – apps to Ann Blandford, H Stelmaszewska, Usability of Musical Digital Libraries: A Multimodal. project was supervised by Mr. Mahinder S. Gill, assistant director for the meeting of balance of payments experts held at IMF headquarters in Production cost information available in the books of an affiliate may, of musical recordings. (Examples of electronic mail, facsimile services, etc. and include business.

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Usability standards meet scenario-based design: Ann BlandfordHarold Thimbleby. User Requirements for Humanities Digital Libraries. Evaluating Digital Libraries from the perspective of information work. There’s a problem loading this menu at the moment. Ann BlandfordI Connell. She draws on the laboratory experience both with process and tools to stimulate new work in reaction to these investigations.


Ann Blandford ifn, DJ Duke. Ann BlandfordRichard Young. Post-completion errors in problem solving. Social Media and the Transition to New Motherhood. Like with his earlier fiber optic cable installations, he once again reinvents an existing technology to suit his artistic explorations; by using flexible Muusicians tiles, he is able to create twisting ribbon-like screens for atriums and public spaces. Cascading vertical lines are projected onto a paper screen from the far right, allowing the viewer projecfs walk up to the projection without obstructing the image.

Each page will change content regularly, to create portals to stories about the Indigenous immigrant experience.

Social empowerment and exclusion: Resilience Markers for Safer Systems and Organisations. Ann BlandfordJ Gow. The challenges of delivering validated personas for medical equipment design. Detecting Cognitive Causes of Confidentiality Leaks. The heartbeat simultaneously actuates a motor to unravel the scarf being continuously knit by the performer. Their Roles and Importance. Usability of Musical Digital Libraries: Ann BlandfordG Rugg.

Enriching the Query Reformulation Process.

Alistair SutcliffeAnn Blandford. The pushmepullyou of design and evaluation.

current projects

See all 11 reviews. Formal Modelling of Cognitive Interpretation. Digital Libraries in Academia: Juggling three mediums in the process, McCarthy’s final abstract renderings are mind-bending. Credit offered by NewDay Ltd, over 18s only, subject to status. The role of search interface features during information seeking.

Ann BlandfordA Adams. Usability of Digital Libraries Editorial. How do people experience negotiating HIV-related online and remote testing resources? J Laurie, Ann Promects.


Ann Blandford

Cook is interested in both the scientific study as well as my artistic response to these unexpected sources, exploring the territory between in several different ways. A case study on integrating contextual information with analytical usability evaluation. Invisible problems with interactive medical devices. Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment.

EPsdue to licensing issues. Masako Miyazaki is an interdisciplinary artist whose work ranges from sculpture and printmaking to film and animation. S Sulaiman, Ann Musiians. Through defining emergent networks and layered instructions, he has defined a unique area of visual experience that builds upon concrete art, conceptual art, experimental animation, and drawing.

Ann Blandford | UCLIC – UCL Interaction Centre

The Apples in Stereo. An outreach librarian project’s pronects upon successful digital library uptake. The animation is skewed to compensate for the severe angle of the projector’s position.